Working under the aesthetic premise that it is the context of some physical thing that charges it with meaning, I would like to say a few words about music.  It’s actually quite simple and not that profound at all, but frequently looked over by musicians and other artists.  Music is simply a way for cultures to communicate with one another.  Any other discussion about music is merely talking about taste in some ungrounded theoretical way.  The context of a song at a particular venue is what charges the tune with cultural power, similarly to the way the context of a symbol can charge it with meaning, like in natural languages.  It is the language of inter-cultural discourse.  In a phrase, tone or rhythm, musical histories that extend into socio-political histories are summoned to the venue.  It doesn’t matter if you’re playing Metal or Punk-Classical.  You are inevitably continuing the historical inter-cultural dialectic, either through an embrace or rejection of musical sensibilities throughout history.  If you accept the premise and follow it through, as a musician, you are the voice of a people in a vast history of cultural dialectics.  Musical traditionalists that adhere to strict tonal, rhythmic and emotional limitations are as mute to cultural discourse as a Cubist painting hanging on a white wall in a museum. Image

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Some new music

June 27, 2011

These tunes were professionally recorded by a good friend of mine…

Enjoy!

My music

June 20, 2011

Here’s a link to some music I make with a trio in my apartment.  I’m on piano.

http://www.myspace.com/saltwaterandthefunky24bits

My Paintings

October 21, 2010

www.workingpaint.wordpress.com

We can know “why”.  Knowing “why”, though, suggests Believing in “why”.  I’m not talking about believing in the reasons for an expressive act, but rather believing in “why” itself.  Asking why is calling upon a greater power to explain expressive actions.  Call it whatever you want, but when I spill a cup of coffee on the floor, I certaintly don’t ask the cup, the coffee, or the floor why that happened.  I ask Why.  The “cup”, “coffee” and “floor”, as I understand them through deductive and reductive essentialist concepts revised throughout history, might be used to answer why.  But I would be answering only that which can be answered.  The actual is a mystery.  The actual seems to penetrate the body with physical power and little else.  Culture has destroyed reality.   It’s a necessary adaptation, so I’m not too angry about it.  All is words.  The world is interpreted the way a novel is.  The actual world is lost in a “life or death” interpretation.  Categories become created from criteria.  New parameters are created and the interpreted world opens up into more complexity as each parameter is employed.  People ontologize when they decide to wake up in the morning.

I don’t understand the world.  I understand understanding OF the world.  My body feels.

Maybe, if you listen to this collision of genre’s in this song I made and ask “why”, you’ll understand that you’re asking a god to answer your question.  You’re praying to “why” if you take up that task.  The music becomes disintegrated into a prayer of reasons, rather than a celebration of life.  (not that it’s a good song.  I’m just using this time to point something very simple out to anyone who reads this.)

Enjoy:

Good Habits

Music

February 28, 2009

Here are a couple songs I made.

The one called, Rynosaurous Rex, I made with a friend of mine.  He layed down the beat, and I put in the rest.

The other one, Catfish Johnson, I made with my midi keyboard and a drum sample from the dead. 

Thanks for listening.

Catfish Johnson

Rynosaurous Rex

The Mp3 Player is kind of screwy, so you may have to download them.

The Surreal Undermining the Real

“[The trumpet] sounds human. It sounds like a voice. Sometimes I can get it to sound like a… another voice.” – Miles Davis (60 Minutes Interview)

Some of you might find this five part youtube series of Miles playing live with Wayne Shorter, Jack De Johnette, Chick Corea and Dave Holland fairly interesting. I particularly like the exchanges between Chick (on Keys) and Miles, beginning about halfway through 3 of 6. They are speaking to each other in notes, but mostly phrases. The conversations begin with an exchange of some notes, maybe roughly equivilant to a greeting – meeting each other in a harmony, where the mutual compassion for one another is asking “where are you?”, rather than “how are you?” The location of Chick and Miles in the soundscape is a compassionate, humble questioning. The development of conversation becomes a transcendence of Miles from himself, and Chick from himself, where these spatial entities become distinct from the person Blowing, or tapping out the notes. It is “another voice”, that is not Miles’ nor Chick’s, but an evolving conversation spawing from the asking of “where are you?” to the exchange of phrases that develop into a textural, colorful, spatial conversation of the textural, colorful, spatial play itself. They leave thier bodies, not to enter the others body, but to enter the dissonances and resonances of their creative soundscape, where the self, nor the body can seem to reach the complexity of the creative soundscape. In other words, it could be said that their bodies of experience are transformed entirely into sound (texture, color, line, space). It reaches heights of soundplay where even the body is forgotten. It reminds me of a quote by Einstein where he writes, “To really live, is to live outside of oneself.” For Miles, I think, living was living outside of his body, into the body of sound.

In these recordings, there is something surreal going on that is more real than the verbal interactions of talking. The surreal displaces the real into dreamlike status. The alternate undermines the primary, where the roles are exchanged.

Music with Lyrics

January 21, 2009

Here’s another I made with a friend of mine.

He’s on vocals and guitar.  I’m on keys.

http://www.mp3.com/media_player/viewer.php?action=launch_player_by_id&ref_id=21798838&ref_type_id=3&edid=&ptid=&ont_id=

Music

January 16, 2009

Here’s another song I made.

Sorry about the poor sound quality.

more of it       (music I made with a drum loop, and a midi keyboard)

 

day3trinity_lake231

http://www.mp3.com/media_player/viewer.php?action=launch_player_by_id&ref_id=21798218&ref_type_id=3&edid=&ptid=&ont_id