Conversations Between Miles Davis and Chick Corea

January 27, 2009

The Surreal Undermining the Real

“[The trumpet] sounds human. It sounds like a voice. Sometimes I can get it to sound like a… another voice.” – Miles Davis (60 Minutes Interview)

Some of you might find this five part youtube series of Miles playing live with Wayne Shorter, Jack De Johnette, Chick Corea and Dave Holland fairly interesting. I particularly like the exchanges between Chick (on Keys) and Miles, beginning about halfway through 3 of 6. They are speaking to each other in notes, but mostly phrases. The conversations begin with an exchange of some notes, maybe roughly equivilant to a greeting – meeting each other in a harmony, where the mutual compassion for one another is asking “where are you?”, rather than “how are you?” The location of Chick and Miles in the soundscape is a compassionate, humble questioning. The development of conversation becomes a transcendence of Miles from himself, and Chick from himself, where these spatial entities become distinct from the person Blowing, or tapping out the notes. It is “another voice”, that is not Miles’ nor Chick’s, but an evolving conversation spawing from the asking of “where are you?” to the exchange of phrases that develop into a textural, colorful, spatial conversation of the textural, colorful, spatial play itself. They leave thier bodies, not to enter the others body, but to enter the dissonances and resonances of their creative soundscape, where the self, nor the body can seem to reach the complexity of the creative soundscape. In other words, it could be said that their bodies of experience are transformed entirely into sound (texture, color, line, space). It reaches heights of soundplay where even the body is forgotten. It reminds me of a quote by Einstein where he writes, “To really live, is to live outside of oneself.” For Miles, I think, living was living outside of his body, into the body of sound.

In these recordings, there is something surreal going on that is more real than the verbal interactions of talking. The surreal displaces the real into dreamlike status. The alternate undermines the primary, where the roles are exchanged.

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2 Responses to “Conversations Between Miles Davis and Chick Corea”

  1. Ryno said

    I really appreciate your analysis of this piece and the exchange or “conversation” between the artists. As you know I’m not normally a big jazz guy but this music here is just mystical. I really get the sense of the “surreal” that you mention. Keep up the good work!
    peace

  2. RiseInRuin said

    Thanks.

    You must be bored out of your mind.

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